NEW UA MICS - Standard Microphone Series: SD-3, SD-5, SD-7 with Hemisphere Modelling

Long & McQuade Musical Instruments
14 May 202408:18

TLDRIn this video, Andre from Long McQuade introduces Universal Audio's new microphones: the SD-3, SD-5, and SD-7, which are ideal for a drum mic package when paired with the SC1 and SP1 condensers. The microphones feature Hemisphere Modeling software, allowing for real-time monitoring or post-production effects with various classic mic emulations. The video demonstrates the microphones' performance on a full drum set, showcasing different mixes with various mic placements and settings, resulting in a rich, stadium rock sound.

Takeaways

  • 🎙️ Universal Audio has introduced new microphones to their Standard Series: SD-3, SD-5, and SD-7, which are ideal for a drum mic package.
  • 🔗 These new microphones pair well with previously released microphones like the SC1 large diaphragm condenser and the SP1 pencil condenser.
  • 🌐 The microphones come with Hemisphere Modeling software, allowing for a variety of sound options.
  • 📅 An update to the Hemisphere UAD2 software is expected in May, enhancing real-time monitoring capabilities for Apollo users.
  • 🎵 The video features a full drum set demonstration using the new microphones in an all-UA environment.
  • 🔧 The video showcases the ability to switch between different microphone models using the Hemisphere software, highlighting the distinct sound characteristics of each.
  • 📈 The presenter demonstrates the impact of using different microphones on the sound of a drum kit, such as the Beta 52 on the resonator kick drum head and the D112 on the beater head.
  • 🎛️ The Axis knob within the Hemisphere software is used to adjust the tone of the microphones, offering further sound customization.
  • 📍 The video explains that the recordings were made neutrally with the Standard Series microphones, and all effects were added in post-production.
  • 🎚️ The presenter shares a mix example using various microphones on different drum components, such as the CIS 441 on the first snare and the RB 160 on the second snare.
  • 🏟️ The final drum mix created in the video is described as sounding like a huge stadium rock band, indicating the versatility and power of the new microphones.

Q & A

  • What is the announcement made by Universal Audio in the video?

    -Universal Audio has introduced new microphones to the Standard Series family, specifically the SD-3, SD-7, and SD-5 microphones, which are designed to be an excellent drum mic package.

  • What additional microphones are mentioned as part of the Standard Series family?

    -The SD-1 dynamic microphone, the UA Sphere LX, and DLX large diaphragm condenser mics are also part of the Standard Series family.

  • What software feature is included with these new microphones?

    -The new microphones come with Hemisphere Modeling software, which allows users to emulate the sound of various classic microphones.

  • What is the significance of the upcoming release of the Hemisphere UAD2 software in May?

    -The Hemisphere UAD2 software will allow users with an Apollo interface to monitor through the plugin in real-time or print to their DAW, offering more flexibility and options for recording and mixing.

  • What is the purpose of the full drum set miked up for the demo in the video?

    -The full drum set is miked up to demonstrate the capabilities of the new microphones and to showcase how they sound when recording drums with different microphone combinations.

  • What is the role of the Apollo 8xp in the recording setup shown in the video?

    -The Apollo 8xp is used as the interface to track the audio, and it is connected to the DAW and other Universal Audio software and plugins for recording and processing the sound.

  • What is the Luna DAW and how is it used in the video?

    -Luna is a digital audio workstation software by Universal Audio, used in the video for recording and editing the drum tracks with access to plugins and the Hemisphere modeling.

  • How does the Hemisphere modeling software affect the sound of the recorded tracks?

    -The Hemisphere modeling software allows the user to emulate the sound of various classic microphones, altering the tone and character of the recorded tracks in post-production.

  • What microphones were used for the kick drum in the second mix example provided in the video?

    -A Beta 52 was used on the resonator kick drum head, and a D112 was used on the beater head, creating a boomy and punchy sound.

  • How does the Axis knob in the Hemisphere software influence the sound?

    -The Axis knob in the Hemisphere software allows the user to adjust the tonal balance of the emulated microphone, providing a way to fine-tune the sound to the desired characteristics.

  • What microphones were used for the toms and overheads in the drum mix example?

    -An ODX DN4 was used for the tom miking, AKG SD 56 for the overheads, and an AKG 414 for the room mic, creating a stadium rock band sound.

Outlines

00:00

🎙️ Introduction to Universal Audio's New Microphones

Andre from Long McQuade introduces new microphones from Universal Audio, the SD3, SD7, and SD5, which are designed to create an impressive drum mic package when used alongside the previously released SC1 large diaphragm condenser and the SP1 pencil condenser. The package includes the Hemisphere modeling software, which will be demonstrated in the video. Andre also mentions an upcoming release of the Hemisphere UAD2 software in May, which will allow real-time monitoring through the plugin for Apollo users. The video will showcase a full drum set that has been miked up for the demo, and other microphones from the family such as the SD1 dynamic, UA Sphere LX, and DLX large diaphragm condenser mics.

05:01

🎛️ Control Room Demo with Universal Audio Gear

The video continues with a demonstration in the control room, where Andre is using an all UA environment, including the Apollo 8xp interface, Luna DAW, and Console UA connect. He is monitoring live with the Console and uses the Hemisphere modeling software to show different microphone scenarios, such as the U47, Norman U67, classic U87, Neumann LD 103, AKG LD12, Telefunken 251, and AKG 414. Each mic scenario is audibly distinct, demonstrating the versatility of the software. Andre explains that with an Apollo unit, one can print the Hemisphere effects directly to tape or DAW, or use it in post-production, as he does with the drums in the video. The recording was done neutrally with the standard series microphones, and all effects were added in post-production, allowing for flexibility in the mix.

Mindmap

Keywords

💡Universal Audio

Universal Audio is a renowned company specializing in audio hardware and software products, particularly known for high-quality audio interfaces, microphones, and plugins. In the context of the video, Universal Audio is introducing a new line of microphones to their standard series, emphasizing their commitment to professional audio solutions. The script mentions the release of the SD-3, SD-5, and SD-7 microphones, showcasing the company's ongoing innovation in the audio industry.

💡Hemisphere Modeling

Hemisphere Modeling refers to a software feature that allows users to emulate the sound characteristics of different microphones. The video script highlights this technology as a key aspect of the new microphone series, enabling users to experience various classic microphone sounds through the Universal Audio plugins. This feature is particularly exciting for audio engineers as it offers flexibility and creative possibilities in post-production.

💡Apollo

Apollo is a series of audio interfaces developed by Universal Audio, known for their integration with UAD plugins and real-time monitoring capabilities. In the script, Andre mentions that the microphones can be monitored through the Apollo interface, indicating the seamless workflow between Universal Audio's hardware and software. The upcoming UAD2 software update is also mentioned, which will further enhance the monitoring experience for Apollo users.

💡SC1

The SC1 is a large-diaphragm condenser microphone from Universal Audio, designed for capturing a wide range of sound sources with clarity and detail. The video script positions the SC1 as a complementary component to the new SD series microphones, suggesting a comprehensive package for recording drums and other instruments.

💡SP1

The SP1 is a pencil condenser microphone, part of Universal Audio's lineup, known for its small size and ability to capture detailed, focused sound. In the script, the SP1 is mentioned alongside the SC1 and the new SD series microphones, indicating a versatile selection of microphones for various recording applications.

💡Drum Mic Package

A drum mic package refers to a set of microphones specifically designed for recording drums, each microphone tailored to capture different drum elements such as kick, snare, toms, and cymbals. The video script describes the SD-3, SD-5, and SD-7 as an 'amazing drum mic package' when paired with the SC1 and SP1, highlighting their suitability for a complete drum recording setup.

💡Control Room

In the context of the video, the control room is the space where the audio is monitored and mixed. Andre invites viewers to join him in the control room to demonstrate the new microphones and their capabilities. This setting is crucial for showcasing the audio quality and performance of the microphones in a professional environment.

💡Luna DAW

Luna is a digital audio workstation (DAW) software developed by Universal Audio, designed to work seamlessly with their hardware and plugins. The script mentions the use of Luna for the demonstration, emphasizing the integrated workflow that Universal Audio offers for recording and mixing.

💡Console UA Connect

Console UA Connect is a feature or software that allows for the integration of Universal Audio's hardware with their software ecosystem. In the script, it is mentioned as part of the setup in the control room, indicating the interconnected nature of Universal Audio's products for a cohesive recording and mixing experience.

💡Axis Knob

The axis knob is a control found within the Hemisphere software that allows users to adjust the tonal balance of the emulated microphone. The script describes how the axis knob can be used to fine-tune the sound, providing an example of its use to alter the tone of snare drum recordings.

💡Miking Techniques

Miking techniques refer to the methods and placements of microphones to capture sound sources, such as a drum kit. The video script discusses various miking techniques used in the demo, including specific microphone placements for kick drums, snares, toms, and overheads, demonstrating the importance of proper miking for high-quality sound capture.

Highlights

Introduction of new microphones to the Universal Audio Standard Series: SD-3, SD-5, and SD-7.

The new microphones are designed to be an excellent drum mic package when paired with the SC1 and SP1 condenser microphones.

The microphone package includes the Hemisphere Modeling software for versatile sound shaping.

Upcoming release of the Hemisphere UAD2 software in May for real-time monitoring and plugin integration with Apollo units.

The full drum set is miked up for a live demo showcasing the microphones' capabilities.

Other microphones in the family include the SD1 dynamic and the UA Sphere LX and DLX large diaphragm condenser mics.

The control room demo takes place in an all UA environment with the Apollo 8xp interface and Luna DAW.

Live monitoring with Console and the ability to flip through various mic models using the Hemisphere software.

Demonstration of the difference in sound between various classic microphone models like the U47, U67, and U87.

The flexibility to print the Hemisphere effects directly to tape or DAW during recording or apply them in post-production.

Mix number two features a beta 52 on the resonator kick drum head and a d112 on the beater head for a powerful kick sound.

The CIS 441 on the first snare provides a cracky and punchy sound, while the RB 160 on the second snare offers a different tonal quality.

The use of the axis knob in the Hemisphere software to adjust and play with the tone of the snare drums.

The ODX DN4 is used for the tom mics, delivering a thumpy and satisfying sound.

AKG SD 56 is the preferred choice for overheads, capturing the essence of the drum kit.

The AKG 414 serves as the room mic, contributing to the overall drum mix with its well-regarded sound characteristics.

The final drum mix creates an impression of a huge stadium rock band, showcasing the power of the Universal Audio microphones.

Encouragement for viewers to like, subscribe, and check out the provided links for more information on the microphones.

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