Jay Postones // Toontrack Superior Drummer & Roland TD50kv - E-drum deep-dive!

The speaker begins by greeting the audience and expressing excitement about the stream. They mention their e-drum setup, which has evolved over two years, and address common questions about it. The speaker demonstrates how to adjust settings in their drum software, Superior Drummer, to correct sound mapping issues, such as changing a ride cymbal sound to a crash and adjusting the edge and tip sounds. They also discuss the importance of audio levels and invite questions from the audience, particularly those using similar drum kits.

The speaker continues by sharing their experience with electronic drum kits and Superior Drummer software. They mention their preferred drum kit sound pack, 'Modern Metal Easy X,' and explain how to connect the Roland TD-50 drum set to a computer for enhanced sound quality. The speaker also addresses how to set up additional drum pads and customize them within the software, emphasizing the simplicity of the process.

The speaker details the process of connecting the Roland drum module to a laptop running Superior Drummer 3 via a MIDI cable and a Focusrite Scarlett sound card. They guide the audience through the software's settings, showing how to select the correct drum kit to load default settings. The speaker also explains how to assign additional pads to different drum sounds and adjust the velocity sensitivity for a more realistic performance.

The speaker discusses the challenges of configuring hi-hat settings on an e-drum kit and how Superior Drummer's updates have improved the experience. They guide the audience through calibrating the hi-hat, adjusting the sensitivity, and using the hi-hat splash sensitivity feature to achieve a more natural sound. The speaker also highlights the need to configure the Roland module settings before fine-tuning the hi-hat in Superior Drummer.

The speaker addresses the importance of setting the correct sensitivity for each drum pad and the overall system latency. They demonstrate how to adjust the hi-hat's rim gain and sensitivity on the Roland module and discuss the impact of latency on the playing experience. The speaker also explains how to set the buffer size for audio processing to minimize latency-related issues.

The speaker explores the various preset kits available in Superior Drummer and how they can be customized. They mention the ability to stack snare sounds for a richer tone and discuss the option to add different sounds for ghost notes and rimshots. The speaker also touches on the importance of setting the correct trigger type and offset for the hi-hat in the Roland module.

The speaker talks about their approach to mixing drum sounds, emphasizing the use of room mics for a more natural feel. They discuss adjusting the levels of individual drum components and the use of compression to improve the overall sound. The speaker also shares their preference for less processed sounds and the importance of finding a balance that works for their playing style.

The speaker introduces a new MIDI pack they have been working on, which contains over 500 drum performances. They mention an upcoming live mixing session with a colleague, where they will use the Tune Track mixer and plugins to create a mix. The speaker also discusses their excitement about trying out new sounds and the potential for a live performance with their band, Tesseract.

The speaker tests out new drum sounds from the Duality series by Toontrack and works on customizing a drum kit. They discuss the process of selecting cymbals, tuning toms, and choosing the right kick drum. The speaker also addresses the importance of adjusting the sensitivity and volume levels of each drum element to create a well-balanced kit.

The speaker continues to tweak the drum sounds, adjusting the levels of various components and making the ride cymbal more prominent. They also discuss the possibility of using the new Roland digital hi-hats with Superior Drummer 3, based on positive feedback from a friend. The speaker then plays a Tesseract song to test the drum kit and make further adjustments.

The speaker makes final adjustments to the e-drum kit, focusing on the snare and ghost notes. They discuss the use of velocity sensitivity and compression to achieve a more realistic sound. The speaker also mentions their preference for recording directly into Superior Drummer 3 and exporting as audio tracks.

The speaker explores the new MIDI pack they have created, playing through various grooves and fills. They express enthusiasm for the pack and discuss its versatility with different time signatures. The speaker also announces a future live stream where they will collaborate with a colleague for a live mix using the Toontrack mixer and plugins.

The speaker provides information on how to purchase their new MIDI pack and discusses its compatibility with various drum libraries. They mention the upcoming live stream with a colleague, where they will play drums and conduct a live mix using Superior Drummer 3. The speaker also thanks the audience for their time and participation.

The speaker concludes the stream by thanking the audience for their engagement and interest. They highlight the value of the e-drum setup discussion, the exploration of the new MIDI pack, and the announcement of the upcoming live mixing session. The speaker also encourages the audience to reach out with any questions and to check out the new MIDI pack and Superior Drummer 3.