How To | Unlock Hyper SDXL with SUPIR Upscaler

The video begins with an introduction to the Super Upscaling Pack Version Two, highlighting a new feature by 'dance'. The presenter recommends downloading the 'hyper XL s hyper sdxl 8 step Laura' model from the files and versions section. They discuss the basic workflow involving the 'co Trio Super Hyper eight step', which uses the kxl model and its nonos XL counterpart. The presenter also mentions a slight modification by adding the 'hyper sdxl Laura' to the stack and parented it, resulting in a non-destructive retexturing of the image to increase detail. The focus is on the image's upscale to 4,096 by 2,160, ensuring the output does not exceed these dimensions. The presenter also touches on the changes made with Hyper, such as increasing steps to eight and adjusting the CFG scale.

This paragraph delves into the specifics of the Hyper settings, emphasizing the use of eight steps with Ula and sgm uniform. The presenter discusses the experimentation with different models like DPM P3 and ddpm, concluding that the choice depends on personal preference. They also mention the prompt editing technique used in dynamic PRS, which can be affected by custom nodes. The presenter demonstrates how to adjust the prompt values to achieve different results, showcasing the flexibility of the workflow. The paragraph concludes with a discussion on the potential speed and quality improvements brought by using Hyper in both sides of the workflow, suggesting that while the speed may not be significantly impacted, the quality is consistently good.

The presenter introduces the next workflow, 'image to image superia', which uses the same variant, Co Trio, but generates the image from an image to image later. They discuss the process of capping the image to 1,024 while preserving the aspect ratio, followed by the VA encode using the model for image generation. The setup includes the hyper XL on the first Laura loader, individual for each side, and a combined one leading both. The presenter also mentions the use of a style model and the importance of the CFG scale values. The workflow concludes with an image generated from an input image, demonstrating the process of blending styles and creating a final upscale for the super.

This paragraph focuses on the customization of image upscaling through color matching. The presenter explains the process of using a custom color match import after supia finishes, ensuring the color match is checked. They discuss the utility of this feature for creating variances of high-quality images in different shades and colors. The presenter also demonstrates the use of left-right swipes to compare the normal upscale with the custom color upscale, highlighting the creative possibilities of blending different outputs. The paragraph concludes with a discussion on the potential for recoloring and the creative combinations that can be achieved through the use of different color ranges and blending techniques.

The presenter introduces an advanced model, 'co Trio imageo image control net superia hyper eight step', and discusses its complex setup. They explain the process of using a custom color match import at the top, which checks the color match after supia finishes. The presenter also discusses the use of left-right swipes for comparison and the incorporation of depth and canny edge detection. The paragraph concludes with a demonstration of how the control net is used between the encoder and the reroot, showing how the three samplers utilize the control net to create new landscapes that incorporate the desired style while mimicking the dimensions and arrangement of structures.

The presenter shifts focus to a Photoshop bonus project, demonstrating how to enhance an image using color shifts and masks. They show how to use a color-correction node to match the input image's color palette and discuss the potential for creative manipulation using blend layers. The presenter also discusses the use of depth blur in Photoshop, demonstrating how to create a focal distance and range for a depth effect. They conclude with a discussion on the potential for further creative manipulation using the various outputs from the upscaling process.

The presenter reviews the results of the advanced upscaling techniques, showcasing the high contrast effects and color adjustments. They discuss the potential for using these results in blend layers and the creative possibilities of combining different outputs. The paragraph concludes with a discussion on the flexibility of the tools used and the potential for further exploration and experimentation with the upscaling process.

In the concluding paragraph, the presenter reflects on the effectiveness of the upscaling techniques discussed in the video. They highlight the importance of trying different types of upscaling to find what works best for individual needs. The presenter also mentions plans for future videos, including more Photoshop tips and tricks, and thanks the viewers for watching.